10/17/2022> when ^U/_i—User innerface—^THink oƒ October 17^th, ⁱ/_U th^iNK oƒ ^th Loma Prieta ear^THQuake baɔk in Santa Cruz, in 1989 . . . perhaps none 2 ^th rest oƒ ^th whirL^ed az ^th «World Series ear^THQuake» > ^th whirL^ed = 5pin^ning  meCHanic^al Đ–vice, every 365.2422 day^Z iT notCH^es in2 nu psychle, 4–ever R.i.P.eat^ing . . . ⊕ nau^ght (iF 1 con5ider^s Quantum Mechanic^al perspective, th0 4 all in tent^s + purpiss^es (on planet^ary LVL) celestial mechanic^s O–bay Newton)

> last year on Oct 17 ^U/_i found ℝ–selve^s communing w/ goat^s on ^th Amalfi coast > 10 yr^s ag0 2day on Oct 17, 2012, ⁱ/_U = SCUBA diving in southern Tanzania + watch^ing ELong8^ed C urCHin^s walk on L&:

. . . 1 oƒ ^th 5trange^R cre8ure^S on X planiT, thO the5e Sarcastic Fringehead^s = pretty wiɔked:

> cool thing about 5¢ense = dat ⁱ/_U can g0 baɔk 2 N–E pa5t d8 in ^th arCHive^s, ⊕ N–E place in ^th indeX, ⊕ look up ppl ⊕ subject^s . . . th0 ^U/_i sorta 5hoot ℝ–5elf in ^th foot by nau^ght writing in more convention^al landguage, far az 5ear¢hability = concern^ed > X 5tyle ⁱ/_U rite in hear on 5¢ense = more ⊕ less HTML transL8^ion oƒ how ^U/_i bin writing iSBN 978-1-940853-22-2, th0 lot^s oƒ 5tuff ⁱ/_U can't pool off in HTML (az oppose^d 2 work^ing in In Đ–zine (C B–Lo 4 eggsample) . . . nau^ght 2 mention ^th time con5traint oƒ 4mat^ting in HTML by h& (4 eggsample ^U/_i got 2 TAG thing^s ≈ ^super + _sub–5crypt^s in5tead oƒ cliɔk^ing 1 btn), ∴ wheel reTurn 2 more Linear free–flow^ing tXt (eXcept 4 i–tem^{s  i}/_U can 5earch + rePlace 4 w/ eaze)

> ^U/_i = more ⊕ less finish^ed w/ ¹/₄ oƒ iSBN, ^th 1^st 2 (oƒ 8) sexion^s (16 chapter^s oƒ 64) . . . ⊕ rather, iT (^th softwhere/MAchine dat Use^{s   i}/_U 2 rite iSBN) = finish^ed w/ ^U/_i . . . ⁱ/_U halve push^ed In Đ–zine 2 ^th Limits, 2 ^th point ware iT crash^es constant^ly ≈ last year when ^U/_i work^ed on Codamundi #2 in Đ♭ miner (witch got reject^ed after all dat work + now sit^s sumWare on ℝ hard–drive probly nvr 2 B pubLish^ed) + th year b4 when ⁱ/_U work^ed on Textiloma > 5pose ^U/_i cd ab&on Adobe product^s all 2gether, but ⁱ/_U halve 2 much invest^ed in 'eM (^knot just In Đ–zine, but Đreamweaver, Photoshop, Audition, etc.) . . . they got ^U/_i by ^th ball^s (^knot dat genderless ⁱ/_U admit 2 halving 'eM . . . iT just = figure oƒ 5peech) > ∴ rather than push ℝ Luɔk, ^U/_i ℝ gonna try 2 pubLish ^th 1^st 16 chapter^s/96 pg^s) oƒ iSBN az is . . . + call iT Soft Copy Hard . . . ⊕ bedder yet, ^U/_X (shorth& 4 User eXperience in ℝ previous professional world of iA (in4m8ion Architexture)), a 5top gap 5olution 4 ^th time B–^ing, in case ⁱ/_U die ⊕ sumping, ^b/_c who nose how long iT will take 2 finish ^th other ³/₄ oƒ iSBN @ X r8 + by then ^U/_i will probly halve complete^ly re–written (U mite halve 2, given ℝ tecknowledgy issues) the5e 1^st 2 sexion^s ∴ ^U/_X = 5napshot oƒ how biginning oƒ iSBN evolve^d

> coinsidental^ly, ℝ tecknowledgy issue^s B–gan when ⁱ/_U (⌘+C)^ed + (⌘+V)^{ed   th} umlaut ö in2 ^th word möbius 5trip, ∴ dat pg ^U/_i had 2 leave az is ^b/_c every time ^U/_i touch iT, iT blow^s up . . . actual^ly, ^th X–act point iT blew up = on ^th word tube (asterisk^ed B–Lo), ^b/_c ^U/_i try^ed 2 (⌘+C) + (⌘+V) ^th ∞ symbol in2 iT, 2 write «tube» az «t∞b», az iF both Litteruley + 4 ℝeel ⁱ/_U ÷ by ∞ ( = 1 ÷ 0):

> 0nely weigh 2 circumNaviG8 ^th i55ue = 2 (⌘+X) pre–V–us 2 pg^s from store^d ver5ion + redo (⌘+Y) ^th edit^s > als0 note dat ^U/_i reference 5cense.com in ^U/_X . . . ∴ ^th integr8ion go^es both way^z (far az method act^ing) > ^U/_i integr8 ℝeel life/5cense w/ whatever art 4m ⁱ/_U = work^ing on > in ^th ℝeel world, we ( ^U/_i + ℝ bedder–½) ℝ 5till conTempL8^ing iT–L–E vs. aNYCity . . . whereaz b4 we = 95% 4 aNYCity, now ^th pendulum = swing^ing baɔk ^th other weigh (perhaps in part ^b/_c we ℝ plane deviL'^s advoc8), think^ing we need 2 g0 baɔk 2 iT–L–E 2 take th trip we nvr took last Đecember–January, 2 do do diligence

> we con5ult^{ed th} i Ching abt X Đ–cision + got #49—molt^ing (witch correspond^s 2 chapter #46 in iSBN (∴ nau^ght inkLoot^ed in ^U/_X)

> ⊕ 5hedding 5kin, accord^ing 2 David Hinton (whose transL8^{ion U}/_i prefur):

On the days of their demise, revinventing themselves with the dedication of a bird sitting on eggs, things shed skins. Shedding skin, you move with sincerity. You use opening and delight to inhabit that illumination at the grain of things, and you use the hinge of things to penetrate everywhere throughout the wild vastness of things.

> ∴ ⁱ/_U peel baɔk ℝ 5kin + fold ℝ–self in5ide out 4 fres5h nu perspective, 2 travel (or UNtRavel) 2 ^th hinge oƒ thing^s, 2 molt ≈ N in5ect > ^U/_i start 2 buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz + hummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm az ⁱ/_U 5hape5hift + ⁱ/_U get N–trance^d in ^th sound it5elf + n0/thing else, in ^th innerface oƒ ℝ B–^ing, kneethere hear n⊕r there, try^ing 2 su5tain ℝ–5elf in ^th mmmmmmmmmmmmmmmmmm ⊕ zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz ⊕ purrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr–
rrring ≈ CAT, 4 az long az ^U/_i can breathe, ⊕ ⁱ/_U foke us on ℝ breath ⊕ just sighlence, try^ing 2 REMain az 5till az possiBell, ⊕ move ℝ body 2 get absorb^ed by ^th movement unTel ^U/_i ≠ in ℝ body bud in ^th innerface oƒ 1 holey all–N–compassing B–^ing, 1 fleet^ing cog in th circuit, weather iT B in iT–L–E ⊕ aNYCity dozen't matter, ^U/_i = everyware @ 1 x > ⁱ/_U foke us on curtain sound^s ≈ nK, az in inkLing > alphaBet = Đ–vide^d nau^ght ju5t B–tween vowel^s + consonant^s, but hard vs. soft consonance, 2gether in t&um 2 achieve harmonic resinants > witch = 2 say ⁱ/_U bin in2 drone music L8^ly (listen^ly 2 Phill Nillock az ^U/_i 5peak) > haven°t work^ed on ℝ nu Sound ƒuries album–Time's Tide–5ince go^ing on ℝ NE trip 2 CATskills, Berk5hires, Boston + NYC), but now dat ⁱ/_U finish^{ed   U}/_X — ⊕ ^U/_X = done w/ ^U/_i—wheel get baɔk 2 iT > iT all = inner–connect^ed—sound^s, image^s, tXt, touch even 5mell + taste az X recipe 4 butternaut squash lasagna illustr8^s > ⌚^ed a lot oƒ whore movie^s s0 far thi5 October, inkloot^ing Nightmare on Elm Street, Friday the 13th, The Exorcist, Cat People + The Omen I, II + III > also ⌚^ed Butterfield 8, The Long, Hot Summer + finish^ed Reservation Đog^s season 2, witch alth0 went in2 a mid–season slump, end^ed on a good note